A new approach to implant listening
Hearing loss is a global challenge, particularly in countries with ageing populations. Unaddressed hearing loss poses an annual global cost of $750 billion and recent work has shown a strong link between hearing loss and dementia. Over a billion young people are at risk of hearing loss because of the way they listen to music.
Hundreds of thousands of people depend on implanted electronic devices to hear. These devices, known as cochlear implants, aren't perfect. Implant users often have difficulty knowing where sounds originate, are commonly unable to enjoy music, and find it difficult to understand speech when there is background noise - like in a busy workplace, crowded restaurant or chaotic classroom. We have a new approach to solve this problem by transferring crucial sound information through the skin.
We are developing a low-cost haptic device that could revolutionise the treatment of hearing loss.
Hundreds of thousands of people depend on implanted electronic devices to hear. These devices, known as cochlear implants, aren't perfect. Implant users often have difficulty knowing where sounds originate, are commonly unable to enjoy music, and find it difficult to understand speech when there is background noise - like in a busy workplace, crowded restaurant or chaotic classroom. We have a new approach to solve this problem by transferring crucial sound information through the skin.
We are developing a low-cost haptic device that could revolutionise the treatment of hearing loss.
Implants in noise
Cochlear implant users struggle to understand speech in noisy environments.
People with cochlear implants hear the world in a very different way to people with healthy hearing. In an implant user, the sound that is usually transmitted to the brain by thousands of extraordinarily sensitive cells in the ear is instead transmitted by just 22 micro-electrodes. This means that the information transmitted to the brain is severely limited. We've made a quick demo that simulates how hard it can be for cochlear implant users to understand speech in complex sound environments. It's available to use for free as a teaching or demonstrating tool (YouTube or Download). |
Note: these are just simulations based on models of how cochlear implants work with the brain. Cochlear implant users experience their device in different ways depending on a range of factors.
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Implants and Music
Note: these are just simulations based on models of how cochlear implants work with the brain. Cochlear implant users experience their device in different ways depending on a range of factors.
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Music sounds very different to implant users. They can struggle to distinguish different pitches, and they have poor access to the quality, or "timbre", of sounds. This short demo that simulates what it is like to hear music as a cochlear implant user. Like the demo above, it's available to use for free as a teaching or demonstrating tool (YouTube or Download). |
Hearing through your skin
"The brain takes information from the senses to build a model of the world. When information is missing from one sense, we can use another sense to add it back in." - Dr Mark Fletcher, principal investigator
Our research is all about finding ways to send crucial sound information through the skin as small vibrations. We've shown that this can work in the lab–now we're taking it to the real world. We are developing a wrist-worn device that we have shown can improve implant users’ speech understanding and could transform their lives. |
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Our new haptic device
3D render of our mosaicOne_C device. We've been working hard to improve our device and get it ready to be used outside of the lab. Further iterations of the mosaicOne will be coming very soon!
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Training at home
Learning to use new information is an important part of the electro-haptic effect. We're building a remote training system to see how people learn to use electo-haptic stimulation over time.
Our research uses RealSpeech, an auditory training app developed by Dr Mark Fletcher and Dr Ian Wiggins from the electro-haptics team. RealSpeech has a large library of talkers and background environments, over 20 hours of synchronised high-definition video and audio, and is set up for remote data collection. |
Virtual acoustics
Working with the University of Southampton Virtual Acoustics and Audio Engineering Research Group, we're developing a system for creating carefully controlled realistic sound environments for use in the lab, in the clinic, and at home. Currently, a large, acoustically-treated space and an expensive system with several loudspeakers in a ring around the listener is required to create such sound environments. We hope our system can opening up the possibility of more realistic testing much more widely for clinics and research labs and allow for much more sophisticated at-home training and testing.
Peer-reviewed publications
2022
Our new paper on virtual acoustics for clinical audiology
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2021
Mark's review paper on the use of haptics to enhance music perception in hearing impaired listeners, published in Frontiers in Neuroscience
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Our review paper on the state of the emerging field of electro-haptics in audiology, published in Frontiers in Neuroscience
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Our first paper published in Sensors
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Our first paper of 2021, published in Nature Scientific Reports
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2020
Our 2020 review paper on the challenges of developing a new haptic device, published in Expert Review of Medical Devices
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Our forth paper of 2020, published in Nature Scientific Reports
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Our third paper of 2020, published in Nature Scientific Reports
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Our second paper of 2020, published in Nature Scientific Reports
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Our first paper of 2020, published in Nature Scientific Reports
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2019
Our 2019 paper in Nature Scientific Reports
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2018
Our first EHS paper, published in Trends in Hearing
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Presentations
2022
Mark's invited talk at the National Cochlear Implant Users Association, London (UK), giving an overview of our project on enhancing hearing in CI users using haptics
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Mark's invited talk at the Sussex Hearing Lab Meeting, Brighton (UK), describing our work on enhancing speech perception and spatial hearing in hearing impaired listening using haptics
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Mark's guest lecture on the Fundamentals of Auditory Implants module on the University of Southampton Audiology MSc course
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Alberte's poster on using haptics to improve music perception in CI users, presented at the ACI Alliance CI2022 DC conference
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2021
Mark's invited talk at the Music & CI Symposium, Cambridge University (UK), on enhancing music perception in CI users using haptics
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Mark & Sam's invited talk at the Center for Music in the Brain at Aarhus University (Denmark), on enhancing cochlear implant listening using haptics
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Sam's poster at the Music & CI Symposium, Cambridge University (UK), on enhancing pitch discrimination with haptics
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Mark's invited talk at the Conference on Implantable Auditory Prostheses
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Mark's invited talk at the Oticon Shaping the Future study day, London
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Mark's electro-haptics guest lecture at the Nottingham Biomedical Research Centre
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2020
Mark talks about improving sound localisation in cochlear implant users with haptics at the British Cochlear Implant Group meeting
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Mark's electro-haptics guest lecture for the "Current Developments in Bioengineering" 3rd year BEng module at Nottingham Trent University School of Engineering and Technology
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2019
Our talk at the National Cochlear Implant Users’ Association AGM
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Electro-haptics visits University College London
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2018
Media and outreach
"Listen with your Wrists" is our new article published in Frontiers for Young Minds (2021)
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Live webinar for school children on our research (2021)
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Interview with Mark in The Hearing Journal (2021)
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The EHS team support the Robosapiens permanent exhibition by the Science Museum of Minnesota
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The EHS project featured in the British Society of Audiology magazine Audacity
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Our latest work featured in The Conversation
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Mark talks about neuroscience and the Electro-Haptics Project to secondary-school students for the Smallpiece Trust
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Research workshop at the University of Cambridge
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EHS featured in Hoorzaken
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Some of the professional bodies that have shared our work:
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Funding
£7k equipment support fund from Oticon Medical (2022)
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£5k app development fund from Audika (2022)
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£5k award from the Signal Processing, Audio and Hearing Research Group at the Institute of Sound and Vibration Research to explode the use of haptics to aid people with balance disorders (2022)
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£450k award by the William Demant Foundation to explore electro-haptic enhancement of music perception (2021)
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£35k invested into the Electro-haptics project by the University of Southampton Auditory Implant Service and Faculty of Engineering and Physical Sciences (2019-2021)
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EPSRC Doctoral Prize awarded to Sam Perry, allowing him to join EHS as a Research Fellow (2021)
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£1k equipment fund to seed a collaboration between the University of Southampton and the University of Iowa awarded by the Iowa Neuroscience Institute (2020)
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£500k grant to support Electro-Haptics Research (2019)
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£155k grant awarded to support Ahmed Bin Afif, our new PhD student (2019)
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£80k grant to support our Virtual Acoustics project (2019)
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£10k to fund an internship for 6 months on the electro-haptics project (2019)
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The team
Principal Investigator
University of Southampton |
Ama Hadeedi
EHS Speech Enhancement
University of Southampton |
Device & DSP developer
University of Southampton |
Clinical Audiology
UoS Auditory Implant Service |
Robyn Cunningham
EHS Spatial Hearing
University of Southampton |
Ahmed Bin Afif
EHS Speech Enhancement
University of Southampton |
Noise reduction
University of Cambridge |
Nour Thini
EHS Music Enhancement
University of Southampton |
Tactile Neuroscience
University of Southampton |
Søren Riis
Chief Research Officer
Oticon Medical |
Marianna Vatti
DSP Engineering
Oticon Medical |
Bjørn Petersen
CI Neuroimaging
MIB (Uni. Aarhus) |
Haoheng Song
EHS Spatial Hearing
University of Southampton |
Haptic Sound-localisation
University of Southampton |
Electronics
Imperial College London |
Music in CI users
DTU |
Research and Technology
Oticon Medical |
CI Neuroimaging
MIB (Uni. Aarhus) |
Mechanical Engineering
University of Iceland |
Lecturer in Audiology
University of Southampton |
EHS for Music
DTU |
CI Music Perception
MIB (Uni. Aarhus) |
Neurophysiology
University of Iowa |
Neurophysiology
University of Iowa |